Agent Carter extract from short film

 In the abstract agent, Carter, the audience must figure out what’s happening between two characters and what the scene is trying to show. This uses the Stuart Halls theory, so the audience can create their own meaning based on their own backgrounds and experience. with the audience mostly notice is how they personally use the world. Just how we can see the woman with the bright makeup and red lips after creating a soft tone for the audience. 

As webeen moved into the abstract I used long take this was because the actors gave the audience more time to study the characters actions depending on the audience. They might see the actions different based on their personally experience. I also use deep focus, which keeps everything in frame sharpened and clear. This allows the audience to choose what details matter which supports the thesis theory that the audience chooses for themselves also, the lighting in the scene is bright to faded warm in which creates a mellow mood almost like sad but already used to it.

Moving on to house, Stewart Hall’s theory also appears in the sound and editing. The abstract it showed sound breaches were the sound from one shot carries to the next because it helps. The scene feel connected in the audience can interpret the mood created by the sound in their own way. The full effects make the scene feel realistic, and that realism helps audience linked the moment to their own experiences. They also used a montage for several shots are put together to showtime passing or build meaning. Audience me interpret what the montage is trying to show differently. Finally, they used to match cuts, which connect two shots using similar shapes or movements. Viewers may decide for themselves what that connection means, which supports to stuart halls idea that people decide media differently. 

Overall, in this extract, it shows how viewers which is us rely on their own experiences to understand the characters in the scene. Visual and sound choices the guide of the audience, but people still create their own meaning from what they see. This supports the thesis from the introduction. The storehouse theories explained that the viewers shape meaning based on their personal experiences, and this seem clearly demonstrates that.